Those are not necessarily the colors one associates with film noir. Together with DP Roger Deakins (in the most spectacular of their three collaborations) and a gifted team of design artists (led by “Spectre” production designer Dennis Gassner), Villeneuve offers a bracing vision of where humankind is headed, iconically lit in amber, neon hues and stark fluorescent white. Make no mistake: Whereas the original “Blade Runner” was (eventually) embraced for its unrealized potential, its sequel ranks as one of the great science-fiction films of all time. Following that thread to its natural conclusion, Villeneuve has crafted a slick, 21st-century Pinocchio story, in which a replicant yearns to be a real boy - although that’s just one facet of the film’s many dimensions. Dick’s speculative-fiction novel, “Do Androids Dream of Electric Sheep?” (four of which suggest the director himself didn’t quite recognize what was most fascinating about his own film), Villeneuve gets it right on his first attempt, operating from the premise that when androids dream, their innermost desire is to be human. Juri played a leading role in the novel adaptation "Intrigo: Dear Agnes" (2019), followed by a leading role as the mother of a Jewish refugee family in Caroline Link's "Als Hitler das rosa Kaninchen stahl" ("When Hitler Stole Pink Rabbit", 2019).Whereas it took five different versions for Ridley Scott to satisfyingly answer the question raised by Philip K. She also had prominent roles in the western "Brimstone" (DE/NL/BE 2016) and especially as a mysterious memory designer in the Hollywood production "Blade Runner 2049" (2017). She also belonged to the ensemble of the German-American youth film "Morris from America", which was released in Germany in November 2016. She next was one of the leads in Bettina Oberli's tragicomedy "Lovely Louise" (CH/DE 2013), and had a starring role in the British thriller "Fossil" (2014).Ĭarla Juri played the muse of famous sculptor Constantin Brancusi in Peter Greenaway's "Walking to Paris" (IT/CH/FR) and German painter Paula Modersohn-Becker in Christian Schwochow's biopic "Paula", which opened in cinemas December 2016. Shortly afterwards, Juri played a student who becomes the target of a cruel prank at the Auschwitz memorial in the acclaimed drama "Finsterworld" (2013). Her performance in this role garnered her the Actor's Award at the Locarno IFF and a nomination for the German Film Award. In the film, she portrays a young woman who has an unconventional attitude towards body hygiene and sex, and who desperately wants to reunite her divorced parents. The following year, she was honoured as one of the European "Shooting Stars" at the IFF Berlin.ĭrawing much attention by the media, Carla Juri was cast as the female lead for "Feuchtgebiete" ("Wetlands"), the screen adaptation of the eponymous best-selling novel. Her performance garnered her the 2012 Swiss Film Award for Best Actress. She went on to play a young wealthy woman who falls in love with a disfigured boy from a poor family in Xavier Koller's "Eine wen iig, dr Dällebach Kari" (CH, 2011). She received the Swiss Film Award for Best Supporting Actress for her portrayal of a lively woman who gets involved in a tragic accident in "180°" (CH, 2010).
#Carla juri sean young tv#
During her acting school years, she already appeared in several film and TV productions. In 2008, she moved to London, where she studied at the Actors Centre until 2010. From 2005 to 2007, she studied acting in Los Angeles and subsequently joined the city's Theatrical Arts Theatre Company. Carla Juri was born in Locarno, Switzerland in 1985.
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